PONTE ROSSO
A fragmented 1950s Italian console reconfigured as a horizontal structure of transition
Ponte Rosso is reconfigured from components of a 1950s Italian console. Through the interplay of marble, wood, and stainless steel, the structure unfolds horizontally, merging historical memory with a contemporary material language.
The Origin
1950's Italian Vitrine
Dimension
154 x 40 x 75 cm
Edition
1/1
Material
Wallnut, Stainless Steel, Marble
THE ORIGIN
1950's Italian Vitrine
Ponte Rosso may be read as a seating element, yet its core essence lies in the notion of transition. Rather than occupying space, it acts as a connective structure between two moments in time.
The fragmented body no longer gathers around a single center; it stretches horizontally, forming a line of tension within the space. Stillness gives way to flow. The massive marble block anchors balance, while the wooden legs retain traces of the object's past. Stainless steel cuts through this memory, consciously bridging two eras.
PONTE ROSSO
A fragmented 1950s Italian console reconfigured as a horizontal structure of transition.
Ponte Rosso is reconfigured from components of a 1950s Italian console. Through the interplay of marble, wood, and stainless steel, the structure unfolds horizontally, merging historical memory with a contemporary material language.
The Origin
1950's Italian Vitrine
Edition
1/1
Dimension
154 x 40 x 75 cm
Material
Wallnut, Stainless Steel, Marble
View All Gallery
THE ORIGIN
1950’s
Italian Vitrine
Ponte Rosso may be read as a seating element, yet its core essence lies in the notion of transition. Rather than occupying space, it acts as a connective structure between two moments in time.
The fragmented body no longer gathers around a single center; it stretches horizontally, forming a line of tension within the space. Stillness gives way to flow. The massive marble block anchors balance, while the wooden legs retain traces of the object's past. Stainless steel cuts through this memory, consciously bridging two eras.
